CAST
THE LIVING:
Rosie O’Grady: Grace Burdick
John Allen: Joe Fitzpatrick
Bill ‘Bailey’ Burns: Denis Hawkey
Randy Kelly: Sam Dean
Mary: Jean Henderson
Sally: Cammie Mile
Ida: Sam Hunt
Daisy Allen: Jill Holloway
Kevin: Owen Tubb
Mr Van Cleef: Nigel Davidson
Stage Manager: Ben Stoneman
GHOSTS FROM THE PAST:
George M Cohan: Andrew Hickman
Yankee Doodle Girls: Eleanor Lyall, Naomi Jackson
Nora Bayes: Ann Harvey
Jack Norworth: Scott Hunt
Joe Howard: Scott Hunt
Anna Held: Ann Harvey
ENSEMBLE:
Ann Harvey, Ben Stoneman, Caleb Crack, Eleanor Lyall, Jill Holloway, Naomi Jackson, Nigel Davidson, Owen Tubb.
Company:
Hobart Repertory Theatre Society
Season: 3 - 18 November 2017
Venue: Playhouse Theatre, Hobart
Written by: June Walker Rogers
Director: Mark Morgan
Stage Manager: Louise Stubs
Production Managers:
Christine Le Fevre, Moya Deigan
PRODUCTION TEAM
Musical Director: Melfred Lijauco
Choreographer: Sara Goldstone
Assistant Stage Manager: Lachlan West
Set Design: Mark Morgan
Lighting Design/Operation: Rogan Brown
Sound Design: Greg Gurr
Sound Operation: Rogan Brown
Band: Melfred Lijauco, Monique Watts, Luke Sanderson
Costumes: Adela Morton
Wardrobe Assistance: Jill Dobie, Chrissie Fraser, Christine Le Fevre, Robin Rheinberger
Properties: Moya Deigan
Set Construction: Nick Atwell, Mark Morgan, Christopher Oakley, Louise Stubs
Set Painting: Louise Stubs, Mark Morgan, Sam Hunt, Cammie Mile, Jean Henderson
Graphic Design: Nick Atwell
Program Layout: Carolyn Whamond
Program Coordination: Adela Morton
Photography: Wayne Wagg, Bob Linacre
THEATRE REVIEW
There are those who believe musical theatre should be vacuous and undemanding and then there are the rest of us. Yet, Playing the Palace is a flummery that makes significant demands of its audience. It requires an unusual degree of suspension of disbelief, principally, to accept that a play about a theatre is set on a stage partly dressed as a theatre. Ghosts are presaged by the augury of a flickering light and their presence accepted. Every line is a tenuous cue to a song and sometimes the songs just appear like the ghosts.
Denis Hawkey is the lynch pin of the whole show. As the theatre owner, he is a solid and amiable presence. Vocally, it is Grace Burdick who shines. Sam Dean and Joe Fitzpatrick (Allen) offer solid support. The ensemble is characterised by energy which sometimes tends to caricature. Much of the humour in the show misses its mark.
On opening night, the cast were not performance ready but one week later the ensemble had gained in vocal assurance. The choreography was tighter but still frequently inexplicable. The fan dance, however, was mesmerising.
Ultimately, there is something tiresomely didactic about a show which belabours the message of the great days of vaudeville. This musical would be well adapted to the budget and abilities of a high school ensemble.
Anne Blythe-Cooper