CAST
Rita: Anastatia Ward
Frank: Scott Burns
Company:
Hobart Repertory Theatre Society
Season: 1 - 16 September 2017
Venue: Playhouse Theatre, Hobart
Written by: Willy Russell
Director: Danni Ashton
Stage Manager: Janet Smith
Production Manager: Shauna-Lee Ward
Assistant Production Managers:
Liz Lewinski, Judy McDavitt
PRODUCTION TEAM
Assistant Stage Manager: Louise Stubs
Set Design: Christopher Oakley
Costumes: Adela Morton
Wig Coordinator: Yolanda Peart-Smith
Lighting/Sound Design and Operation: Rogan Brown
Props/Furniture/Set Dressing: Christopher Oakley, Danni Ashton, Karen Cowen, Janet Smith, Jordon Cowen, Louise Stubs
Set Construction: Christopher Oakley, Scott Burns, Rogan Brown, Janet Smith, Danni Ashton, Philip Crouch, Matthew Andrewartha
Set Painting: Philip Crouch, Steve Gallagher, Fiona Muir, Louise Stubs, Janet Smith, Christopher Oakley
Graphic Design: Carolyn Whamond
Program Coordinator: Adela Morton
Photography: Wayne Wagg, Bob Linacre
Video Production: Rogan Brown
ABOUT THE PLAY
The plays follows the relationship between a 26-year-old Liverpudlian working class hairdresser and Frank, a middle-aged university lecturer, during the course of a year.
Susan (who initially calls herself Rita), dissatisfied with the routine of her work and social life, seeks inner growth by signing up for and attending an Open University course in English Literature.
The play opens as 'Rita' meets her tutor, Frank, for the first time. Frank is a middle-aged, alcoholic career academic who has taken on the tutorship to pay for his drink. The two have an immediate and profound effect on one another; Frank is impressed by Susan's verve and earnestness and is forced to re-examine his attitudes and position in life; Susan finds Frank's tutoring opens doors to a bohemian lifestyle and a new self-confidence.
However, Frank's bitterness and cynicism return as he notices Susan beginning to adopt the pretensions of the university culture he despises. Susan becomes disillusioned by a friend's attempted suicide and realises that her new social niche is rife with the same dishonesty and superficiality she had previously sought to escape. The play ends as Frank, sent to Australia on a sabbatical, welcomes the possibilities of the change.