CAST
Jennifer White: Annie Carter Moore
Eilish Bremner Wojtowicz: Beatrix Potter
Bil Heit: Helen Potter, Hunca Munca, Farmer’s Wife
Grace Boxall: Yvette, Marjorie Moore, Jane, Trout
Roger Chevalier: Rupert Potter, Dexter
Jon Lenthall: Edwin Moore, Bodkins, Policeman, Fox
Eve Ward: Freda Moore
Louise Stubs: Jemima Puddle-Duck, Mouse 2
Audrey White: Norah Moore, Cotton-tail
Abbey Udovičić: Mother Rabbit, Simpkin, Lucinda
Bethany Denholm: Flopsy, Mouse 1, Rebeccah Puddle-Duck
Tay Lowry: Tom Thumb, Mopsy, Mouse 3
Adam Taylor: Tailor
Noah Sargent: Kep, Sparrow 1
Samuel French: Peter Rabbit
Matthew Nelan: Noel Moore, Harold Warne, Sir Isaac Newton
Mike Casey: Massee
Brian Andrews: Mr. McGregor, Mayor, Mr. Jeremy Fisher
Tasman Inglis: Eric Moore, Norman Warne, Mr. Alderman Ptolemy Tortoise, Barney
Prophecy Mudzingwa: Sparrow 2, Footman, Jack Sharp, Chutney
Rogan Brown: Wellaby’s Voice, Thomas’s Voice
Company:
Hobart Repertory Theatre Society
Season: 20 April - 1 May 2022
Venue: Playhouse Theatre, Hobart
Written by: Joseph Robinette
Director: Shauna-Lee Ward
Stage Manager: Rogan Brown
Production Managers: Ann Harvey, Pip Tyrrell
Creative Director: Helen Cronin
PRODUCTION TEAM
Set and Lighting Design: Rogan Brown
Sound Design: Rogan Brown, Ann Harvey
Lighting Set Up: Rogan Brown, Louise Stubs
Lighting and Sound Operation: Philip Matthysz
Stage Crew: Logan Nettlefold, Sophie Coward, Elise Bagorski
Props Coordinator: Kelly King
Seamstress: Julie Raphael
Make Up: Louise Stubs
Set Construction: Rogan Brown, Roger Chevalier, Brian Andrews, Jon Lenthall, Louise Stubs
Set Painting: Rogan Brown, Mike Casey, Roger Chevalier
Scenic and Graphic Design: Carolyn Whamond
Photography: John Darby, Peter Deck, Wayne Wagg
SETTING
The performance will be presented in two Acts and will cover time periods spanning 1883 to 1950 with scenes based in a variety of locations including: Hill Top Farm, Potter’s House, Moore’s House, Gloucester’s House and Linnean House, McGregor’s garden, Doll’s House, Warne and Company Office, Jeremy Fisher’s Pond and Jemima Puddleduck’s farm.
PLAY OVERVIEW
This enchanting story intersperses five of Beatrix Potter’s animal stories, including favourites such as Peter Rabbit, The Tailor of Gloucester and Jemima Puddle-Duck with the tale of Beatrix Potter’s own life growing up in a strict and lonely Victorian household. The play introduces us to Annie (Beatrix’s governess and the play’s narrator) and to Annie’s children for whom many of the stories were originally written.
Moving back and forth across time, each of the animal stories is woven into excerpts of Annie’s and Beatrix’s lives. We gain an insight into the fantasy world created by Beatrix Potter who, despite her writings and illustrations being actively discouraged, went on to become one of the most widely read children’s authors of all time.
The performances of Peter Rabbit were presented in two acts covering the period spanning 1883 to 1950. Scenes were based in a variety of locations including Hill Top Farm, the Potter’s house, Annie and Edwin Moore’s house, the Tailor of Gloucester’s house/workshop, the Linnean Society, Mr. McGregor’s garden, a doll’s house, Warne and Company offices, Jeremy Fisher’s pond and Jemima Puddle-Duck’s farm.
The stage design involved two raised rostra on either side of the stage, contrasted to represent the Potter’s upper class house and the Moore’s more modest dwelling. Between these two was a “book”, the pages of which resembled those from Beatrix Potter’s books, which served as a backdrop for each of the animal stories.